I’ve been reading Thomas James’ collection front to back, including the introductory essay by Lucie Brock-Broido, who states this is the only book she ever stole. I didn’t think it could possibly live up to all the love she gave it, but it does. It’s the only book James published in his lifetime. He committed suicide at 27, shortly after its publication. Many of the poems deal with the passage of time and death and decay. The imagery in many of them is of the natural world. A couple are written from the point of view of people who have died and are now taking their place among the dead, and these seem to treat death very matter-of-factly. Here’s his “Mummy of a Lady Named Jemutesonekh XXI Dynasty”:
My body holds its shape. The genius is intact.
Will I return to Thebes? In that lost country
The eucalyptus trees have turned to stone.
Once, branches nudged me, dropping swollen blossoms,
And passionflowers lit my father’s garden.
Is it still there, that place of mottled shadow,
The scarlet flowers breathing in the darkness?
I remember how I died. It was so simple!
One morning the garden faded. My face blacked out.
On my left side they made the first incision.
They washed my heart and liver in palm wine—
My lungs were two dark fruit they stuffed with spices.
They smeared my innards with a sticky unguent
And sealed them in a crock of alabaster.
My brain was next. A pointed instrument
Hooked it through my nostrils, strand by strand.
A voice swayed over me. I paid no notice.
For weeks my body swam in sweet perfume.
I came out Scoured. I was skin and bone.
Thy lifted me into the sun again
And packed my empty skull with cinnamon.
They slit my toes; a razor gashed my fingertips.
Stitched shut at last, my limbs were chaste and valuable,
Stuffed with a paste of cloves and wild honey.
My eyes were empty, so they filled them up,
Inserting little nuggets of obsidian.
A basalt scarab wedged between my breasts
Replaced the tinny music of my heart.
Hands touched my sutures. I was so important!
They oiled my pores, rubbing a fragrance in.
An amber gum oozed down to soothe my temples.
I wanted to sit up. My skin was luminous,
Frail as the shadow of an emerald.
Before I learned to love myself too much,
My body wound itself in spools of linen.
Shut in my painted box, I am a precious object.
I wear a wooden mask. These are my eyelids,
Two flakes of bronze, and here is my new mouth,
Chiseled with care, guarding its ruby facets.
I will last forever. I am not impatient —
My skin will wait to greet its old complexions.
I’ll lie here till the world swims back again.
When I come home the garden will be budding,
White petals breaking open, clusters of night flowers,
The far-off music of a tambourine.
A boy will pace among the passionflowers,
His eyes no longer two bruised surfaces.
I’ll know the mouth of my young groom, I’ll touch
His hands. Why do people lie to one another?
From Letters to a Stranger by Thomas James. Copyright © 2008